Using Leading Lines Pt. 2
Leading lines are all around us most of the time - you just need to know where to look for them and how to get the best from them.
This street scene was taken on a horrible dull day so there's no shadows and textures. And that's a real life situation. You might want to take some photos when you're visiting somewhere and can't come back when the light's better.
By getting down low I used the no parking lines, kerb and pavement as a leading line to make the photo more dynamic
When photographing a person you can use them as a leading line too. As we were walking through the park I saw an arch which was easy to use as a leading line up to my face. You can watch us do it for real with the video camera.
Remember to consider depth of field with leading lines. Ask yourself if the line needs to be sharp or would you prefer it to be soft then come sharp as the viewer arrives at the place in the image you want the most impact.
If this is a area you struggle with I cover leading lines and many other composition elements in my Masterclass in Photography 4 week course.
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Scene in a scene |
Landscape photography is one of those areas where patience, thinking it through and taking your time pays dividends. We have all seen a scene we want to capture but sadly we’re in a hurry, so we leap out the car and just grab a shot without giving it too much thought.
This may or may not result in a great shot. But have you thought to ask yourself if there’s more to be had from a location than the obvious? You have to build upon an initial idea. Explore possibilities.
I was in Vietnam driving through the mountains when we came upon this amazing view of rice terraces. We stopped so the film crew could shoot some aerial shots with their drone so Simon and I took the opportunity to look around and shoot this video.
As we drove up the hill I’d noticed one of the little paths that wind their way through the paddies so we went for a walk to see what it would yield.
Almost straight away we came upon some greenery we could use as foreground, which can frame a scene and give it more depth. In some cases just finding a bit of foreground can make or break an image.
But don’t forget to look around you. It’s all to easy to miss a beautiful detail of the landscape that’s right next to you because you’re absorbed by what’s in front.
You have to concentrate and really look at a scene. In the first shot of the last scenario there’s a stick poking up on the left. I didn’t really notice it to begin with. It wasn’t until I checked the shot in the LCD it became apparent.
So how do we remove it? Well obviously there’s Photoshop but I’m lazy. A few steps to the side will change the geometry of the image. It makes things align differently so you can lose unwanted clutter from the composition.
So besides making sure the light is appropriate for the scene, here are 3 landscape photography tips to consider.
- Take time – think of other possibilities for the location
- Find some foreground. It could make a world of difference
- Look to the side as well as in front. You might have missed something
These things are not functions of your camera. They are functions of you thinking like a photographer.
