Diagonal Composition Pt.1
A diagonal composition is made using a line or link between the elements of a picture - but how do you create them?
Some diagonal compositions are natural - they are that way in real life, but others have to be aligned that way by you the photographer moving from side to side and making careful adjustments to where your camera is pointing in order to achieve the diagonal relationship.
In this photo of a boat with the setting sun the diagonal relationship between the boat and sun didn't occur naturally - I had to create diagonal composition between the two myself.
"So how did you manage to move the sun smart ass?" I hear you ask.
It's really simple. By standing to the right of the boat the sun's on the right of the image so the diagonal composition flows bottom left to top right. If I'd moved to the left of the boat the sun would move with me and the diagonal would then go top left to bottom right instead. There's more on this in the composing a photo video.
If you want to learn more about creating diagonals in your photography my Masterclass in Photography will set you on the right path.
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Scene in a scene |
Landscape photography is one of those areas where patience, thinking it through and taking your time pays dividends. We have all seen a scene we want to capture but sadly we’re in a hurry, so we leap out the car and just grab a shot without giving it too much thought.
This may or may not result in a great shot. But have you thought to ask yourself if there’s more to be had from a location than the obvious? You have to build upon an initial idea. Explore possibilities.
I was in Vietnam driving through the mountains when we came upon this amazing view of rice terraces. We stopped so the film crew could shoot some aerial shots with their drone so Simon and I took the opportunity to look around and shoot this video.
As we drove up the hill I’d noticed one of the little paths that wind their way through the paddies so we went for a walk to see what it would yield.
Almost straight away we came upon some greenery we could use as foreground, which can frame a scene and give it more depth. In some cases just finding a bit of foreground can make or break an image.
But don’t forget to look around you. It’s all to easy to miss a beautiful detail of the landscape that’s right next to you because you’re absorbed by what’s in front.
You have to concentrate and really look at a scene. In the first shot of the last scenario there’s a stick poking up on the left. I didn’t really notice it to begin with. It wasn’t until I checked the shot in the LCD it became apparent.
So how do we remove it? Well obviously there’s Photoshop but I’m lazy. A few steps to the side will change the geometry of the image. It makes things align differently so you can lose unwanted clutter from the composition.
So besides making sure the light is appropriate for the scene, here are 3 landscape photography tips to consider.
- Take time – think of other possibilities for the location
- Find some foreground. It could make a world of difference
- Look to the side as well as in front. You might have missed something
These things are not functions of your camera. They are functions of you thinking like a photographer.
