Using Foreground 2
In foreground part 1 I took a particularly disappointing photo of the Blackmore vale in Dorset. Despite the view being spectacular the photo was lifeless and flat looking because it lacked foreground.
In part 2 we're going to look for foreground and how to utilise it in compositions to add a sense of depth to a photo. When you go somewhere with an amazing view you're getting a whole sensory input of sound, smell, temperature etc.
But a photo is missing all of them so it's vital to make the visual impact, the composition stand out and have as much depth as possible.
You can add foreground simply by getting close to something and including a bit of it in the composition down one side, above or below. Framing with natural objects works well as we demonstrate in the frame in a frame film.
These images are of the same place and taken only a few minutes apart and I think you'll agree the top one is dull, lifeless and flat. To bring it to life all I had to do was move back and include the bench and trees as foreground and a natural frame to the valley beyond.
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Scene in a scene |
Landscape photography is one of those areas where patience, thinking it through and taking your time pays dividends. We have all seen a scene we want to capture but sadly we’re in a hurry, so we leap out the car and just grab a shot without giving it too much thought.
This may or may not result in a great shot. But have you thought to ask yourself if there’s more to be had from a location than the obvious? You have to build upon an initial idea. Explore possibilities.
I was in Vietnam driving through the mountains when we came upon this amazing view of rice terraces. We stopped so the film crew could shoot some aerial shots with their drone so Simon and I took the opportunity to look around and shoot this video.
As we drove up the hill I’d noticed one of the little paths that wind their way through the paddies so we went for a walk to see what it would yield.
Almost straight away we came upon some greenery we could use as foreground, which can frame a scene and give it more depth. In some cases just finding a bit of foreground can make or break an image.
But don’t forget to look around you. It’s all to easy to miss a beautiful detail of the landscape that’s right next to you because you’re absorbed by what’s in front.
You have to concentrate and really look at a scene. In the first shot of the last scenario there’s a stick poking up on the left. I didn’t really notice it to begin with. It wasn’t until I checked the shot in the LCD it became apparent.
So how do we remove it? Well obviously there’s Photoshop but I’m lazy. A few steps to the side will change the geometry of the image. It makes things align differently so you can lose unwanted clutter from the composition.
So besides making sure the light is appropriate for the scene, here are 3 landscape photography tips to consider.
- Take time – think of other possibilities for the location
- Find some foreground. It could make a world of difference
- Look to the side as well as in front. You might have missed something
These things are not functions of your camera. They are functions of you thinking like a photographer.
